For “Good Times,” I wanted to use a quick dip into my personal life, as a framework to examine to complexities of Black Existence. I’d wager one of the biggest commonalities we have in the Black Experience is reconciling what the world sees/expects of us, and who we really are. We’re haunted by the racialized toxic positivity alluded to in the lyrics “Shut Me Up for the Good Times,” the anti-Black intentions behind mass incarceration in “Lock Me Up for the Good Times,” and cognitive dissonance from a litany of Double Consciousness byproducts.
For “Good Times,” I wanted to use a quick dip into my personal life, as a framework to examine to complexities of Black Existence. I’d wager one of the biggest commonalities we have in the Black Experience is reconciling what the world sees/expects of us, and who we really are. We’re haunted by the racialized toxic positivity alluded to in the lyrics “Shut Me Up for the Good Times,” the anti-Black intentions behind mass incarceration in “Lock Me Up for the Good Times,” and cognitive dissonance from a litany of Double Consciousness byproducts.